Profiles
Woohoo! CX Magazine’s 200th Edition!
A huge thank you to everyone who kept us alive during the pandemic, and a shoutout to everyone who’s come on board to support us since!
Read MoreDutchie has some bad news
“I’ve never had a fear of dying. The best thing I can do is tidy things up as best I can so my missus can have a fresh start without all my shit in the way”.
Read MoreWHY DO I STILL DO THIS?
“I learned a long time ago just because you love something you can’t expect everyone else to love it as well.”
Read MoreThe Legendary LeRoy Bennett Gets Back with Sir Paul McCartney
“LeRoy Bennett claims he ‘designs concert tours’ for a living. I think he actually designs ‘WOW’ moments.”
Read MoreA Music Studio arrives in Boggabilla
‘The lads have said that music is now a part of their future and they’re set on what they want to do.’
Read MoreBack to my Roots
“Country Arts SA, if you’re reading this, it’s time to give this theatre new FoH loudspeaker and foldback systems.”
Read MoreThe P.A. People Discuss Venue Engineering
“In this business, we must constantly remind ourselves that we lift, suspend and move significant gear over performers and audiences, making the issue of fit-for-purpose gear and people paramount.”
Read MoreROBE for Mega-Monsters Tour
“We really needed all these Robe luminaires to give us both enough latitude to deliver for our artists”
Read MoreGROUP TECHNOLOGIES WELCOMES NEW BUSINESS DEVELOPMENT MANAGER (NSW/ACT)
A life-long audio professional, Shaun brings with him 20 years of music industry experience, encompassing an exhaustive collection of disciplines.
Read MoreSTATE OF THE MARKET
“The jobs that are ripping out most of their old infrastructure and replacing their back-end are doing so because they want the user interface at the front-end modernised.”
Read MoreLightware’s new Sydney HQ and Experience Centre
It’s all customer-focussed, and Lightware are already using the facility to assist with project design, testing, and education.
Read MorePAUL JACKSON
“We go through stages where people are excited about theatricality and phases where they are deeply suspicious of it, and lighting gets lumped in with that.”
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