News
How, as a producer or engineer, can you involve yourself with such an elusive monster? You embrace it, or go get a job in a bank
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For the first time ever, COVID forced the Mardi Gras Parade off of Oxford Street and into the SCG. Richard Neville of Mandylights details how they lit this historic event
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Having decided to sell out and retire, Brownie is happy he has kick-started the business into the installation area, proving that even with a pandemic, Centrestate is resilient
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The Source Four LED Series 3 and Desire Fresnel are the perfect pairing for any theatre looking to successfully launch themselves into the modern day
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Chameleon Touring Systems has purchased another 24 PanoramaIP AirBeam fixtures to add to the huge stock they already have in their inventory
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Australian music legends The Sunnyboys took to the stage of the Sydney Opera House’s Joan Sutherland Theatre foe a one-night-stand in Dec 2020
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Brisbane’s Cutting Edge debut their Unreal Engine powered virtual production stage with a high resolution 12m by 4m LED wall and moveable LED side panels
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This was nothing less than a world-class arena show, delivered to an exacting technical standard; all the more impressive when you consider it was put together in a matter of days, not weeks
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Gerhard Loots has been appointed Group CEO of the Madison Group, and Paul Calabro takes on CEO of mIoT.
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“Super Constellations make a staggeringly dense and visually spectacular amount of smoke and flame on start-up. It’s definitely something you would not want to be breathing.”
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Andy Stewart describes his journey from musician to recording engineer, and more than three decades in production and recording
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The partnership involves a range of benefits to the industry, including professional development and ongoing support
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