News
MusicKeeper and CrewKeeper are cash grants valued at $2,000 for individuals and $2,700 for families with dependent children. The grants are available to anyone working in the industry, from musicians, songwriters and publishers to crew workers, managers, promoters and journalists
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Tampa, Florida’s Diamond View are a creative video studio working at the cutting edge of virtual production
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dLive mixes the show from over 2,000km away What do you do when you have an event to mix overseas but you can’t get there? With Covid travel restrictions limiting movement between locations, sound engineer Rich Bryant had to think not just outside the box, but also outside his country, when it came to mixing…
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L-Acoustics L-ISA immersive mixing platform is now available as software, independent of its hardware. This enables sound designers to realise L-ISA mixes and hear content in any virtual space of any given size and shape
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Pharos Architectural Controls was appointed to deliver a new control system for The Falls’ lights. Pharos’ system offers fresh lighting content, greater flexibility for developing new design concepts, and remote management in the cloud
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A SupportAct appeal has been launched to help out industry legend Kathy O’Hara as she recovers from a serious car accident
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The agreement with the globally influential team will drive the use of LED display technology in sport worldwide
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The annual event was welcomed back with open arms for 17 days in 2021, with its extremely popular architectural projections presented from 28 February to 2 March
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The ATEN UC9020 is what I’ll call a 2.5 HDMI input scene based vision mixer with layers and streaming appliance. In order to use it, you also need a recent model iPad
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Theatre Royal Sydney is selling off its old dimmers. There are eight Bytecraft IDS cabinets with differing combinations of 10 Amp and 20 Amp dimmers plus three Bytecraft Solution 28s up for grabs. Pick up only. Make them an offer! Please contact Technical Manager Nick Cook at ncook@trafalgarentertainment.com.au if you’re interested. Here’s the details on…
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With the set on the way and UK based director and LD booked, how did WA Opera still stage Così in the middle of a pandemic?
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