Gear Reviews
Gearbox: Spotlight CYC LED 300 RGBW DMX
Gearbox Spotlight CYC LED 300 RGBW DMX Upstaged by LED By Jason Allen. High-end Milanese lighting company Spotlight work closely with many of Europe’s finest opera houses and theatres, often testing new products in-situ as part of their development process. As such, they’re closely attuned to the needs of the theatre lighting tech, and…
Read MoreGearbox: Electro-Voice Evolve 50
Gearbox Electro-Voice Evolve 50: The portable column Evolves By Jason Allen. There’s a lot to choose from in the powered portable column system market these days. Corporate love them for their subtlety, musical duo love them for their portability, and dry-hire get to offer a simple package that fits a lot of bills. Sadly, most…
Read MoreL-ACOUSTICS SYVA COLLINEAR SOURCE SYSTEM
GEARBOX L-ACOUSTICS SYVA COLLINEAR SOURCE SYSTEM Julius Grafton. “So it’s another column system?” I say. The guys at Hills look at me like I’ve mentioned some one or some thing they don’t like. “It’s a collinear source system”, says Gerry Gavros. “A collinear source array, all in one line. This gives coherency in high frequency…
Read MoreReview: Roland XS1-HD Multi format matrix switcher
By Julius Grafton. Some time ago Roland got into the video control business as Edirol. These days they are using the Roland Professional A/V brand, and producing a growing family of professional switchers and mixers. Now the XS1-HD matrix switcher is here, a compact multi purpose 4 x 4 combo tool that does many things…
Read MoreReview: L-Acoustics Syva
By Julius Grafton. So it’s another column system?” I say. The guys at Hills look at me like I’ve mentioned some one or some thing they don’t like. “It’s a collinear source system”, says Gerry Gavros. “A collinear source array, all in one line. This gives coherency in high frequency with better summation. Here, come…
Read MoreRobert Juliat Dalis 862 LED footlight
Many stages need footlights to up-fill the actors and gently wash shadows. Traditional tungsten footlights struggle with profile and heat. This is where the Robert Juliat Dalis 862 LED footlight comes in. It has a lot of tricks, especially in the asymmetric department. This is where you can vary the wash up close and high,…
Read MoreK EYE K20 HCR
CLAY PAKY’S NEW WASH LIGHT By Julius Grafton The march of LED continues apace, the latest entrant from Italy is the long named K Eye K20 HCR. K20 is the fixture size, while HCR stands for High Colour Rendering. The ‘K’ originally stood for ‘key lighting’ but Clay Paky quickly reasoned this was too limiting.…
Read MoreChroma-Q Color Force II
Lighting a cyclorama is a big deal in theatre, since even dispersion is everything and nothing shows up an inconsistency like bad lights there. Asymmetric reflectors differentiate cyc floodlights from groundrows. A cyc light throws more light up high and less down low, whereas a groundrow is a floodlight that disperses out uniformly. Designers don’t…
Read MoreNeutrik Xirium Pro: send audio on 5Ghz wireless
By Julius Grafton Xirium Pro is a Neutrik system for transmitting studio quality audio without cables. It is entirely designed for live events where you need delay towers and remote audio at full bandwidth, high quality and with virtually no latency. Until now you could attempt this on a 2.4GB or UHF wireless system, but…
Read MoreMeyer Sound’s LEO Family Grows with LINA and 750-LFC
Meyer Sound’s LEO® Family of linear sound reinforcement systems has been expanded with the addition of the diminutive new LINA™ very compact linear line array loudspeaker and companion 750-LFC very compact low frequency control element. Easily the smallest and lightest in the series, LINA and 750-LFC bring the inherent linearity, low distortion and exceptional power-to-size…
Read MoreReview: RØDE NTR Ribbon Microphone
A thing of beauty Just occasionally something so beautiful lands on my desk I’m given cause to stop what I’m doing, and take time out just to admire it. In the case of the NTR I also felt the need to make everyone else in the office stop what they were doing too so…
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