History

TMG toured with Sherbet in those heady days when fan hysteria had reached such a height that performers faced the real threat of being injured; thus, strict security measures became commonplace.

“We were surprised when we heard an omnipresent cowbell and a saxophone line which weren’t there when we left the studio.”

A huge thank you to everyone who kept us alive during the pandemic, and a shoutout to everyone who’s come on board to support us since!

“I’m struck by how Jands navigated change. Simultaneously they found new places to do business with technology continuing to evolve, while the underlying economy lurched…”

“I just think that we’ve got to stop blaming our tools. You know, digital stuff sounded pretty good 20 years ago, so what’s the problem now?”

I’ve never experienced such a crowd intensity on that level. All three shows were absolutely electric, and I still get chills remembering them decades later.

“We had a great sound, it was huge fun, and we were very creative and wrote some great songs together.”

“It’s a beautiful song, I still sing it today.  John and Genni are great songwriters, I recorded quite a few of their songs.”

We were fiercely independent because we knew we weren’t going to get a lot of assistance from the music industry.

“There is no production vehicle quite so fast as the hire car.”

“I love the musty dry smell of old theatres, with their dust and creaky antiquity, their ghosts and quirks.”

“That was George Harrison,” I insisted, and the check-in officer who had seen Harrison’s passport confirmed his identity.