Production Reviews

-750+ wheels to get the stage and production on and off
-300+ crew for the move on and off 200 dancers on field
-Staging and production delivered in 25 semi trailers
-40+ tons of production

“The design is theatrical and cinematic instead of crazy flashing lights,” he added. “It’s designed to fit in with the screen content, so it was a visual show. I would emphasize that with lighting to make it seem bigger than it is.”

“The Dalis 864s are very versatile and fill a gap in the market with a size and low profile that can easily tuck into places where lighting is needed.”

“This production of The Ring Cycle not only set a new standard for opera but also showcased the transformative potential of technology in live performances.”

Throughout the project, TEC worked in close collaboration with Namatjira and his team to ensure the projection captured the essence of his work in a dynamic, larger-than-life format.

“I love lighting this show; it throws up many challenges each year, and I enjoy overcoming them with a mix of cutting-edge new tech and a few old-school solutions.” – Marcus Pugh

Essentially a theatre production on a rock stage, Heilung draws from ancestral cultures dating back to the Iron Age

The Electric Canvas have been very, very busy this year and they have produced some stunning results in a wide range of scenarios.

“Everything in the ceiling could move; the stage could constantly create new shapes and looks – it was a never-ending toolbox.”

“Not every festival is dying! … The boutique EDM market is doing well. If you can find acts that cater for a particular audience, then you’ll do okay.”

Mark chose iFORTES for multiple reasons including the intensity, the quality of the light output, the vitality and authenticity of the colours, and the excellent zoom and focus.

“Guest engineers have been really happy with the PA. And the audience has literally been turning around and thanking me for the audio.”