Production Reviews

Tim was “thrilled” with the outcome, even admitting that designing a Eurovision final event was one of his professional bucket-list items!

“You can take your X4 shows and transfer them onto X5, and it gives you individual pixel control on RGBL as well as RGB, which is brilliant.”

“The huge zoom range and brightness of the LEDBeam 150 ensures they really ‘pop’ even when all the rest of the rig is on, and they are ‘more than enough’ when just using the circle for more clean and utilitarian looks.”

“We’ve been very happy with the performance of all the Ayrton fixtures and have had absolutely zero issues with them,” he reports. “The support we received from ACT was amazing, as always,” adds Routhier. “We love ACT!”

“We wanted everybody to hear the band as if with nearfield monitors, and I think we’ve come closer to that than ever before in a concert setting.”

“It’s nice to have that consistency throughout the range and know that I can hit those colours when I need to.”

“Our talent have even commented on how cool the studios are these days.”

“The Selection Grid feature on the grandMA3 is excellent and integral to Awakening’s lighting programming, as there are over 500 moving lights in the room.”

“It was the job of PRM’s Peter Twartz to make sure that RF was clean, even if he couldn’t keep the feathers out of the racks…”