Production Reviews

It marked the coda of a resilient cultural and sociological phenomenon launched by the Grateful Dead that has spanned nearly six decades and three generations.

She was thrilled at seeing the first Titan Tube demo by Chris. “What was already in our imaginations in terms of lighting were these fixtures!”

“We had confidence that UBEX was the best choice for 100% reliable and versatile delivery of critical program, control and content signals for a long- running activation.”

Hosted across the Rod Laver Arena and Melbourne Convention and Exhibition Centre (MCEC), AV1 beat out some stiff competition to win the tender for production of the Rod Laver Arena programme

“You can tell that there’s a new spirit here that feels really good. John and I are very proud and happy to again be part of it.”

“This was probably the largest sound capture with Austrian Audio microphones in the world. Producing a large symphony orchestra concert is quite an equipment challenge.”

“To create an immersive audio experience, the team at ICC Sydney designed a custom 7.1 sound system that covered both the lower and upper bowls of the theatre.”

From a technical perspective, the 42nd ASEAN Summit was highly successful, despite its considerable challenges

“…comms can be routed either to IEM packs on stage which are also used by the crew in prep, and also sent to the loudspeakers if so desired as a shout style system.”

Tim was “thrilled” with the outcome, even admitting that designing a Eurovision final event was one of his professional bucket-list items!

“You can take your X4 shows and transfer them onto X5, and it gives you individual pixel control on RGBL as well as RGB, which is brilliant.”