Production Reviews

“You can tell that there’s a new spirit here that feels really good. John and I are very proud and happy to again be part of it.”

“This was probably the largest sound capture with Austrian Audio microphones in the world. Producing a large symphony orchestra concert is quite an equipment challenge.”

“To create an immersive audio experience, the team at ICC Sydney designed a custom 7.1 sound system that covered both the lower and upper bowls of the theatre.”

From a technical perspective, the 42nd ASEAN Summit was highly successful, despite its considerable challenges

“…comms can be routed either to IEM packs on stage which are also used by the crew in prep, and also sent to the loudspeakers if so desired as a shout style system.”

Tim was “thrilled” with the outcome, even admitting that designing a Eurovision final event was one of his professional bucket-list items!

“You can take your X4 shows and transfer them onto X5, and it gives you individual pixel control on RGBL as well as RGB, which is brilliant.”

“The huge zoom range and brightness of the LEDBeam 150 ensures they really ‘pop’ even when all the rest of the rig is on, and they are ‘more than enough’ when just using the circle for more clean and utilitarian looks.”

“We’ve been very happy with the performance of all the Ayrton fixtures and have had absolutely zero issues with them,” he reports. “The support we received from ACT was amazing, as always,” adds Routhier. “We love ACT!”

“We wanted everybody to hear the band as if with nearfield monitors, and I think we’ve come closer to that than ever before in a concert setting.”