Production Reviews
MOMENTO MORI
“It’s nice to have that consistency throughout the range and know that I can hit those colours when I need to.”
Read MorePROLIGHTS brings control to GTV9 Studio
“Our talent have even commented on how cool the studios are these days.”
Read MoreAWAKENING AT WYNN LAS VEGAS
“The Selection Grid feature on the grandMA3 is excellent and integral to Awakening’s lighting programming, as there are over 500 moving lights in the room.”
Read MoreKeeping the air clear at WOMADelaide
“It was the job of PRM’s Peter Twartz to make sure that RF was clean, even if he couldn’t keep the feathers out of the racks…”
Read MoreWOMAD – No queues, all cruise
“We wanted more versatility for the different styles of music, and to give the lighting operators travelling with the acts more flexibility.”
Read MoreBACK ON THE TOOLS
I realised I hadn’t actually mixed a gig for about five years, and how much I missed it sometimes.
Read MoreBJORK’S CORNUCOPIA PLAYS PERTH FESTIVAL
“We were delighted to embrace the challenge of fulfilling Richard’s and the Bjork teams’ requirements to deliver a spectacular show in the largest free-span tent in the southern hemisphere!”
Read MoreClaypaky Sharpy Plus Aqua Fixtures Open the Flood Gates for Gwar
“Nick created a great show in one of the most challenging stage environments you can imagine.”
Read MoreDOING THE MATHEMATICS WITH GRANDMA3
“I think Grids and Phasers are the two best arguments to upgrade. Staying back on grandMA2 would only put you behind professionally.”
Read MorePANTHER and The Audio Equation
“PANTHER is lighter and smaller than its predecessors, and that makes a huge difference to the show design”
Read MoreSouth Australian production company supplies Sydney WorldPride
“Kylie absolutely went off. She had a surprise special guest; the dancers huddled together, used a stage lift and bang! Out comes Dannii Minogue!”
Read MoreRobe Lights the Way for MacBeth at New Zealand Opera
There had to be a constant and complete balance between the two visual media – light and moving image – to enhance the compelling storytelling.
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