Production Reviews

“The huge zoom range and brightness of the LEDBeam 150 ensures they really ‘pop’ even when all the rest of the rig is on, and they are ‘more than enough’ when just using the circle for more clean and utilitarian looks.”

“We’ve been very happy with the performance of all the Ayrton fixtures and have had absolutely zero issues with them,” he reports. “The support we received from ACT was amazing, as always,” adds Routhier. “We love ACT!”

“We wanted everybody to hear the band as if with nearfield monitors, and I think we’ve come closer to that than ever before in a concert setting.”

“It’s nice to have that consistency throughout the range and know that I can hit those colours when I need to.”

“Our talent have even commented on how cool the studios are these days.”

“The Selection Grid feature on the grandMA3 is excellent and integral to Awakening’s lighting programming, as there are over 500 moving lights in the room.”

“It was the job of PRM’s Peter Twartz to make sure that RF was clean, even if he couldn’t keep the feathers out of the racks…”

I realised I hadn’t actually mixed a gig for about five years, and how much I missed it sometimes.

“We were delighted to embrace the challenge of fulfilling Richard’s and the Bjork teams’ requirements to deliver a spectacular show in the largest free-span tent in the southern hemisphere!”