Gear News
InfoComm 2022 – Biamp Parlé Audio and Video Conferencing Bars
We welcome our new robot overlords – Biamp’s Parlé Audio and Video Conferencing Bar’s noise reduction algorithms have been trained by AI, and the results are astonishing
Read MoreInfoComm 2022 – Elation Professional KL Profile FC
Elation’s Chuck Green puts the manual LED framing fixture KL Profile FC through its paces at IC22 in Las Vegas
Read MoreInfoComm 2022
The 2022 edition of InfoComm has come back with a larger footprint, more exhibitors, and more attendees. It was a joyous reunion of the global AV industry
Read MoreNAMM 2022 – FBT X Series Powered Loudspeakers
FBT’s Roberto Mataloni and Audio Brands Australia’s Don McConnell introduce FBT’s X Series, which includes the XPRO, XSUB, and XLITE
Read MoreNAMM 2022 – JBL SRX900
Harman’s Gerorge Georgallis, Director, Product Management – Line Array Systems, shows off the new JBL SRX900 series of powered line array elements and subs
Read MoreNAMM 2022 – Shure KSM11
Laura Davidson from Shure introduces the premium KSM11 condenser capsule for wireless. The war on cupping continues!
Read MoreNAMM 2022 – EAW AC6
EAW’s Jonas Domkus introduces the AC6, the steerable adaptive column loudspeaker descended from EAW’s ANYA and ANNA
Read MoreNAMM 2022 – DPA 4055
More from NAMM 2022: We spoke with DPA’s CEO Karl Hvidt Nielsen about their new kick drum mic, the 4055
Read MoreNAMM 2022 – Austrian Audio OD303
We chat to Austrian Audio’s Phillip Schuster about the new OD303 dynamic mic – designed to help with vocalists who insist on ‘cupping’ mics
Read MoreMatt Stone Racing chooses high-end comms from D2N
D2N supplied MSR with high quality Kenwood NX series radios and MRTC x3 PTT headsets allowing for quick, clear comms between drivers and engineers
Read MoreRoad Test: Shure SLX-D
SLX-D is the perfect blend of features and price-point for our business, and I was pretty impressed with SLX-D’s performance straight away
Read MoreClient Liaison’s Divine Intervention at Metro Theatre
Client Liason’s simultaneously nostalgic and futuristic blend of 80s and 90s house music, which they describe as “faux-fi”, lends itself to their corporate aesthetic and over-the-top pop production
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