Gear Reviews
Robe iForte
They are such a good general all-purpose fixture. The zoom on them is amazing, so when we need to do a framing shot, we utilise that.
Read MoreMARTIN MAC AURA PXL
The light is significantly better than the specs would suggest. A punchy light for its size with very good optics.
Read MoreLINEA RESEARCH 44M06
“I can see these amplifiers appearing on riders and there are very good technical reasons why.”
Read MoreSHOWPRO COLLIDER FC STROBE
… the punch the Collider FC packs, and the features on board, are top of the line. It is very, very bright!
Read MoreROBE ROBIN SPIKIE
”The Robe Spikie is a good light that does a lot of things really well. What will make or break it in any particular application is how it is used and what it is used with.”
Read MoreALLEN & HEATH CQ-18T
“The CQ-18T sounds cool, takes up no more room than a small laptop and is bound to have a big impact on the market, given Allen and Heath’s long-standing reputation for quality and reliability.”
Read MoreDigital Forecast Trouble Shooter X_TS MINI
The Digital Forecast X_TS mini is a small, handy thing to have that is well worth the money. It’s a real AV Swiss Army Knife, with screen, testing, plus diagnostics.
Read MoreSHOWPRO HERCULES LED
Every venue and production company should have several cases of Hercules LEDs up their sleeve to act as ‘get-out-of-jail-free cards’.
Read MoreMEYER SOUND ULTRA-X40
“The ULTRA-X40 is a more-than-worthy successor to the industry-standard UPA-1P.”
Read MorePHOENIX CENTRAL PARK
“We essentially need to have a console that has capabilities that we haven’t even thought of yet.”
Read MoreTHE FUTURE OF VENUES
“It is quick to put up and break down, taking less than two weeks. We did Perth in nine days as it was a big open space but in more confined locations, it takes about twelve.”
Read MoreGHIBLI
It is a versatile work horse fixture, more than capable of making up the backbone of any high-end lighting rig.
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