Gear Reviews
SHOWPRO HERCULES LED
Every venue and production company should have several cases of Hercules LEDs up their sleeve to act as ‘get-out-of-jail-free cards’.
Read MoreMEYER SOUND ULTRA-X40
“The ULTRA-X40 is a more-than-worthy successor to the industry-standard UPA-1P.”
Read MorePHOENIX CENTRAL PARK
“We essentially need to have a console that has capabilities that we haven’t even thought of yet.”
Read MoreTHE FUTURE OF VENUES
“It is quick to put up and break down, taking less than two weeks. We did Perth in nine days as it was a big open space but in more confined locations, it takes about twelve.”
Read MoreGHIBLI
It is a versatile work horse fixture, more than capable of making up the backbone of any high-end lighting rig.
Read MoreKLANG – STEREO IS SO RETRO
“Stereo suddenly sounded like absolute garbage in comparison.”
Read MoreMAGEWELL Ultra Encode AIO
“Magewell’s web interfaces are excellent and are the number one reason we chose Magewell over their competitors.”
Read MoreBarnfind BarnColor
I would absolutely recommend BarnColor for applications like ours. They’re the go-to for robust, simple, and flexible multichannel video over two fibres that can be easily deployed by less-skilled hands.
Read MoreMARTIN ATOMIC 3000 DMX
The Martin Atomic 3000 DMX did one thing and they did it incredibly well, arguably better than any other strobe of its day.
Read MoreClaypaky Sharpy Plus Aqua Fixtures Open the Flood Gates for Gwar
“Nick created a great show in one of the most challenging stage environments you can imagine.”
Read MoreACME LIGHTING LYRA
“We got the Lyra and put it next to an industry leading light with most of the same features and similar spec. The Lyra pretty much chewed it up and spat it out.”
Read MoreRCF ART 932-A
They hit the sweet spot for us in terms of size, output and sound quality and they just do everything.
Read More