History
Gary Pritchard
A profile of one Australia’s pioneer lighting technicians, Gary Pritchard – Mr LSC.
Read MoreRoger Foley of Ellis D. Fogg
A profile of Australian lighting designer Roger Foley of / AKA Ellis D. Fogg from CX Magazine, September 2012.
Read MoreThis Could Be Serious
Dope, diesel, and degradation – just a few of themes covered in this sample chapter from Julius Grafton’s new book ‘This Could Be Serious.’
Read MoreWorld’s First Fully Decentralised Remote Show Event
Director in Vienna, LD in Munich, lighting operator in Frankfurt, FOH and broadcast sound mixed in Cologne, sound recording in New York. All in real time.
Read More30 YEARS, STILL RIGHT HERE – CX Turns 30
Still proudly in print, plus digital, with all back issues online. And we survived 2020!
Read MoreWhat’s A PA System?
Duncan Fry recalls the first real P.A. system his band hired from McLean Sound.
Read MoreJANDS turns 50
Australia’s largest theatre and audio visual technology distribution company celebrates 50 years continual ownership on Friday, capping a remarkable five decades that closely tracks the history of live production and indeed Australian Rock and Roll.
Read MoreChanging Days of Troy
In October 1997 Peter Troy sold Troy Balance – a powerhouse production firm in the 1980s – making CMI the prime focus for the brothers Trojkovic. Also, a rewind to a 1991 profile of Troy Balance.
Read MoreCrestron: Who is in Control Here?
Crestron was started in 1972 by New Jersey-ite George Feldstein. Still a private company, CX Magazine talks with Crestron ANZ’s Stuart Craig about the brand and how they are faring during the global upheaval.
Read MoreSydney Olympics, September 2000
Gold for the Production. Twenty years ago the Sydney Olympics was the biggest event staged in Australia and Connections Magazine was there with comprehensive coverage of the AV production.
Read MoreMy Early Days of Audio Part 2
How it came to be that The Harris Tweed Trouser Band headlined the Millicent Pop Festival, using Yamaha’s TA-series as backline.
Read MoreSid’s Mic Case
Connections Magazine would occasionally ask audio professionals to talk about a microphone they use, either live or in the studio.
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