Production Reviews
METALLICA’S M72 END-ON DOWN UNDER
“The most important thing that they ask of the sound is that the whole audience is fully included”
Read MoreMJ The Musical
It’s a testament to the design that the show manages to evoke the feeling of its different time periods given how modern its gear is.
Read MoreTHE AUSTRALIAN BALLET’S PRISM
Remote followspotting may never replace the dome entirely, but Prism showed that the technology is ready for centre stage.
Read MoreHYPERREAL AUDIO FOR HOUSES OF WORSHIP
Simply by altering a source’s location on the L-ISA interface, most of what we used to achieve with EQ, compression, and panning is done by spatialisation
Read MoreNAOSTAGE DELIVERS GROUND BREAKING SPATIAL AUDIO EXPERIENCE AT JAZZOPEN STUTTGART 2025
“This precision enhanced the connection between the audience and the performance, far beyond what a traditional stereo mix could achieve.”
Read MoreChameleon Crew Win High Praise for Keith Urban Tour
The flawless performance is matched by an equally flawless lighting design by Rob Sinclair with lighting director Benjamin Silverstein on tour
Read MoreConverting with The Book of Mormon
The sound design and mix rely on the very old-school premise of making the vocals dominant and highly intelligible…
Read MoreMeyer Sound Delivers World-Class Sound for 2025 Montreux Jazz Festival
“The system is so well-behaved and precise, we can keep the energy focused on the audience without shaking the neighbours’ windows.”
Read MorePowersoft Helps Bring the Wizarding World to Life
“The content is very localised – wherever you are, you are only hearing the audio that you’re meant to hear at that location.”
Read MoreMetallica’s M72 world tour elevates visual experience with PIXERA media server system
“The system lets us play with perspective, wrapping visuals across multiple towers or isolating them for impact. It’s about giving fans a unique view from every angle.”
Read MoreBeetlejuice, Beetlejuice, Beetlejuice!
“It’s a fast-paced, action-packed show”
Read MoreSPACEY JANE
“Sam’s lighting brief at the start of the design phase was quite simple: focus more on textures, block colours, and shadows.”
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