Production Reviews

“LED screens are much easier to work with than projection, and are much more forgiving. But you still can’t hit an LED screen directly with light; they’re not that forgiving.”

“PANTHER goes up and down very fast,” he says. “We have 13 arrays in the air, and we now can get them all down and ready to roll out in 75 minutes.”

“Being able to get all the different angles and change fixtures mid show, effectively getting a light into any position it is needed, has been a game changer in the world of follow spotting.”

“I thought the Panther rig sounded epic. It was phase coherent right up in your face. It didn’t sound 50 or 60 meters away. The vocal clarity was fantastic.”

“I was honestly blown away that something with the capabilities of the BRX300 exists at that price point.”
Chris Manton of Element ICT

Then there was the pyro – four confetti cannons for The Killers and twenty-four streamer shots for the happy birthday moment, “It was a lot of production!”

Astera Wireless technology is perfect when it comes to designing unique and creative gigs. It provides you with full flexibility when it comes to placement, rigging and programming

Benson was able to deploy his wireless rig, utilising multiple wireless mics, seamlessly and successfully for the Rattletrap 2022 at Crowdy Head.

This production is an artistic and technical masterpiece and was completely created in Sydney by Australians. It will conquer the world.