Production Reviews

“We had plenty of headroom with the L-Acoustics system all night long, and it sounded great for both the halftime show and the game itself. It was a win.”

People really are telling us that these are the best sounding gigs they’ve ever heard!

Every note, every lyric, every word of every bit had to sound great and be totally intelligible to everyone in the house. And it was.

“With the grandMA3 Effects Engine, you’re allowed to do so much more, just in the creative patterns and chases that it’s running.”

Deans transforms the Broadway theatre environment into a vibrant, breathing forest where every sound envelops every audience member.

The FOH mix was incredibly dynamic, requiring constant adjustments.

“…for the most part, especially with the amazing backdrop and scenic pieces to light, it was about creating varying colourful worlds for the songs to live within.”

The screen that WOOHAH supplied and built was an incredible 40.2 metres wide and 19.2 metres high, running approximately 23.5 million pixels and weighing in at a whopping 33 tonnes.

The stripped back design employed 21 Ayrton laser-sourced Cobra fixtures – Warren’s only moving lights – in what Warren terms an “extremely considered and precise” show.

“Our main goal in choosing L-ISA was to enhance the festival performances by displaying the genre’s sense of emotion and atmosphere through a live immersive audio experience,

Robe is a powerful, reliable and weatherproof choice for outdoor events needing quality production lighting.