Production Reviews
SYNTHONY IN THE DOMAIN 2025 – BIGGER AND BETTER
We really went back to our dance party roots but the content was much crisper and defined, with simpler shapes and textures.
Read MoreTHE WORLD’S FIRST LED FATBEAM
GLP’s MAD MAXX Ensures Big Moments on Cro’s Cronicles Tour On his current Cronicles tour, the German rapper Cro has not only been looking back on his musical history, but also taking a look into the future. None other than Roland Greil designed the lighting for the show, and in so doing, gave GLP’s brand…
Read MoreEVERYTHING ALWAYS FOREVER
“Their wide zoom range and dynamic capabilities suited the ambitious lighting design perfectly.”
Read MoreTIME IN A BOTTLE
“We wanted to achieve a natural-sounding immersive mix instead of something jaw-droppingly surreal”
Read MoreRobe Gets Close to the Edge with $UICIDEBOY$
“… their mission was to assault the vision of all in the room!”
Read MoreSUPER BOWL LIX
“We had plenty of headroom with the L-Acoustics system all night long, and it sounded great for both the halftime show and the game itself. It was a win.”
Read MoreDIGICO’S SUPPORT FOR LEVEL 42
People really are telling us that these are the best sounding gigs they’ve ever heard!
Read MoreSaturday Night Live Celebrates Its 50th Anniversary at Radio City Music Hall
Every note, every lyric, every word of every bit had to sound great and be totally intelligible to everyone in the house. And it was.
Read MoreGreen Day’s The Saviors Tour
“With the grandMA3 Effects Engine, you’re allowed to do so much more, just in the creative patterns and chases that it’s running.”
Read MoreMeyer Sound System Helps Jonathan Deans Achieve Sonic Vision for Broadway’s Redwood
Deans transforms the Broadway theatre environment into a vibrant, breathing forest where every sound envelops every audience member.
Read MoreDISCO WONDERLAND
The FOH mix was incredibly dynamic, requiring constant adjustments.
Read MoreCrowded House Gravity Stairs Tour
“…for the most part, especially with the amazing backdrop and scenic pieces to light, it was about creating varying colourful worlds for the songs to live within.”
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