Production Reviews

“Outside of the Olympic and Commonwealth games, this is the biggest production in Australian sporting history,”

“It was a really important part of the development of this show that we provided artists with the opportunity to expand their practice and move into other spaces, and that includes digital art.”

“Visitors can be connected to and reflect on the cosmic rhythms and cycles that transform the seasons.”

“GSPS rear projected the video content, with a throw distance of between 11–20m.”

“I was hammering the Boreal+ MK2 hard with processing and they still held their own with content playback and Notch running.”

It marked the coda of a resilient cultural and sociological phenomenon launched by the Grateful Dead that has spanned nearly six decades and three generations.

She was thrilled at seeing the first Titan Tube demo by Chris. “What was already in our imaginations in terms of lighting were these fixtures!”

“We had confidence that UBEX was the best choice for 100% reliable and versatile delivery of critical program, control and content signals for a long- running activation.”

Hosted across the Rod Laver Arena and Melbourne Convention and Exhibition Centre (MCEC), AV1 beat out some stiff competition to win the tender for production of the Rod Laver Arena programme