The Here We Go Again Tour is the seventh solo concert tour by Cher in support of her twenty-sixth studio album Dancing Queen. The Australasian tour was a brand new production. Cher shares the same management as Pink who recently finished.
JPJ Audio supplied an audio package and crew for the tour including an L-Acoustics K1/K2 PA system.
“I do like the L-Acoustics K1/K2 PA and although there are many good PAs on the market, I believe it to be the best sounding,” commented Cher’s audio engineer Tony Blanc. “The setup on this tour is pretty generic from the board out, it’s exactly as L-Acoustics recommends; the cable lengths, the hangs and the combination of the K1s, K2s and the KS28 subs. It’s configured off LA Manager and I’m fortunate to have Johnny Keirle with me and he is probably the best system tech in the business. He knows how to tweak the PA. He sets the PA everyday depending on the parameters of the room, the sizes, the elevation of the seats and the throw. I am in the driving seat and it feels like a Ferrari.”
Tony reports that the K1/K2 combination allows him to precisely ensure that all the seats have the same energy. Quantities of PA varied a little at each venue depending upon the ceiling height and how far round the seats had been sold. However, the specified system had 24 x K1, 36 x K2, 24 x KS28 and 9 x Kara.
For FOH control Tony ran a DiGiCo SD7 console which he said is worth twice as much as his original house!
“It’s an amazing console,” he said. “Before I started with Cher, I had three or four years on budget tours and I got quite used to Waves as a source. I had it with this console but after a day, I turned it off as it just changed the way the console felt. The only auxiliary gear I have are six channels of Summit DCL200 compressors to warm things up and a Lake EQ inserted on Cher’s vocal subgroup. I also have a couple of Bricasti M7 reverbs.”
With a fifty year career, a Cher show covers many different genres of music including ballads, sixties pop, rock and disco, all of which keeps Tony on his toes.
Monitors were run by Martin Pare also on a DiGiCo SD7 console with a TC Electronic M6000 MKII system. All of the band, and Cher herself, wore Shure PSM 1000 IEM systems with L-Acoustic ARC sidefills to give the dancers some audio to dance to.
Cher’s customized, handheld microphones were Sennheiser SKM5200s. Guitars and keyboards are all direct outputs. The kick drum had a syn901, plus the Audix D5, the snare an e905, toms e904 and cymbals ATM450s.
Tony made special mention of the two JPJ crew out on tour with him – Kellie McKee and Joel ‘Cellphone’ Pearson – praising their work effort.
Stage is covered by Hilario Gonzalez, a Solotech audio crew chief tech who works on the Vegas show, and his main concern being prepping Cher.
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