Industry Issues
Invoicing for Creative Industry Workers
Invoice templates, where and when to use them and other good business advice on Creative Workplaces.
Read MoreSOMETHING OLD, SOMETHING NEW
Did it make sense to mothball my 90s PA system in the garage all those years ago in the hope that my son would someday use it in live music performances?
Read MoreA WEEK IN THE LIFE
The first thing I always do when I’m mixing a band live on stage is establish good, early communications so as to be thoroughly prepared for the upcoming gig.
Read MoreAI – What Comes after the Trough of Disillusionment?
Forget using AI to write your emails – imagine the ways you can use it to expand on what you’re already good at.
Read MoreAustralian Music Economic Impact Study
Music Australia are inviting all musicians, music businesses and music workers to contribute to the second edition of The Bass Line survey
Read MoreAwards, wages and wormholes
“I don’t know why anyone would use ChatGPT to interpret an Award or any other legislative instrument”
Read MoreEventing the Future: Politics, Promoters, and the Push for Recognition
Policy shifts have materialised, funding frameworks have opened, and for the first time in years, concerts are on the government’s agenda.
Read MoreAUSTRALIAN FESTIVAL INDUSTRY CONFERENCE HAILED ANOTHER SUCCESS
AFIC 2025 pulled delegates from across Australia, New Zealand and the United Kingdom
Read MoreThings to do when you don’t know what to do
Accidents, flukes – whatever you like to call them – can be great wellsprings of sonic solutions, and inspirational into the bargain.
Read MorePathways to Jobs in Live Music
CrewCare, partnering with Sound NSW and Creative Australia, is delivering a free, hands-on (and fully paid!) training and employment program for aspiring crew across NSW
Read MoreStrengthen and Defend our Industry – Join us at the ACETA Info and Networking Session at Integrate 2025
Join us at the ICC at Integrate on Thursday 28 August at 4 pm, Room E3.1, third floor
Read MoreThe fourth wall keeps breaking as the fourth estate crumbles
When it comes to establishing the wall between a performer’s personal existence and stage persona, we on the production and promotion side are entirely complicit.
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