“Using Spacemap Go in a theatrical context has allowed more creativity and flexibility in my design to further immerse the audience into the world of the story.”
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Music lovers can make the most of the matched giving fund by donating at ausmusictshirtday.org.au. The first $40,000 donated after 10am on Tuesday 19 November will be doubled by AAMI.
WIRELESS MANAGEMENT AT THE ‘24 AFL GRAND FINAL
As with all live events, most of the hard work is in the planning stage and this is also true for RF Spectrum Management.
A levy for large performances and venues in Australia could create a much-needed revenue stream for independent and grassroots venues, promoters and artists who have been hit hard by inflation and rapidly rising insurance costs
VISUALS FOR NOW OR NEVER FROM NOVATECH
Nathan wanted to do both front and rear projection; the front could be doing backgrounds, and then the rear could be doing punchy overlays. And sometimes we could take away the screens completely and just blast the architecture of the room with projection.
ADELE IN MUNICH
Apart from breaking new and experimental ground on multiple levels, the sheer scale of the stage design and scenography and the integration of all the technical elements to deliver this truly world-class show to so many people was mind-boggling!
The complexity of RF Spectrum Management comes when there are multiple suppliers using lots of different systems that support differing technologies and they are not networked, so are not communicating with each other
Bay Dreams, once New Zealand’s largest music festival, will not…
“The main technical issue you have to be careful of when filming LED screens is moiré. We chose ROE Visual LED CB3 LED panels with 3.75mm pixel pitch, processed with Brompton processing. After testing colour, balance, and brightness, the ABC loved the look.”
MIX ANTI-THEORY
Even if expertly deployed, words are inadequate at elucidating the infinitely complex nature of sound, preferences of taste, musical likes and dislikes and so on.
Lighting designer Kille Knobel has worked with the band since 2000 and complements the “Dark Matter” shows with a minimalist yet impactful design
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